The robbers can see where the escape vehicle is, and the police can see where the robbers are. One robber is the boss who must reach a designated point on the map and escape on a speedboat. Two teams of four start: one team of cops in a patrol car, and one team of robbers on foot and a short distance away. GTA Race is throwaway fun, a partial resurrection of the Midnight Club series through backstreets, forgiving with its markers but dedicated primarily to the comedy value of getting people out of their cars and running them over.īut it’s in Cops ’n Crooks that GTA 4’s multiplayer really takes off, a mode that offers a twist on the VIP/Marked Man genre and that grows organically from the singleplayer game. It’s easy to imagine this becoming a firm favourite when players know the city intimately – rather than the map-following lottery our inexperience made of it. GTA 4’s world is simply too interesting: during most deathmatch games you’ll be wishing you could go and explore that alley or simply drive a car into the sunset without someone shooting at you with a rocket launcher.īetter is Team Mafya Work, which has all players receiving a mission at the same time via mobile, and racing to assassinate someone or collect an item. GTA isn’t particularly suited to straight-up team deathmatch, for example – the mechanics and arena are simply not a fit for such competition.

There are a few flat notes in its various forms, mind. But though the stories you’ll make playing GTA 4’s singleplayer might be exciting enough, it’s those spun during time in its multiplayer that could rival some of best game stories ever told.

It’s not a new point to make, but if Grand Theft Auto’s greatness can be boiled down to any element, outside of the mechanics, the style and the feel of the game, it’s the stories you create as you play.

Gta 4 multiplayers